The enabling of the Equaliser and TPL are separate from each other, so you can use just one section, or both. Then you have the True Peak Limiter, which can “legalise” your mix output. In dynamic mode they act like any dynamics section with a comp/exp would. You can drag the EQ band points around the screen and have them as dynamic or static. This is a 6 band (with low and high pass filters) dynamic EQ with automatable multiband compressor / expanders. The newest member of the RX family of post production tools, RX Final Mix plug-in is built specifically for audio post production professionals and video editors”, which can, “Ensure clearer dialogue, maximum sonic impact, and more accurate mix compliance”.Īudio professionals often have a low opinion of video editor’s audio expertise, so when a product such as this includes them in their target market, you can expect audio people to think it could be a “one- click-fix” plug-in that could put their income at risk.īut looking at the press release in more depth reveals that this a far more complex plug-in.įirstly you have the Equaliser section. IZotope describe RX Final Mix as, “a real-time plug-in for controlling your peaks and giving your mixes and sub-mixes a smooth sonic balance. Let’s take a closer look at what we have here. At first glance it could be every home edit suite’s dream – clear, yet punchy audio, that’s still legal! Result! There’s been a little controversy about the wording of this plug-in’s launch.
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